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In a letter to Byron in 1816, Percy ********ley declared that the French Revolution was "the master theme of the epoch in which we live" — a judgment with which many of ********ley's contemporaries concurred. As one of this period's topics, "The French Revolution: Apocalyptic Expectations," demonstrates, intellectuals of the age were obsessed with the concept of violent and inclusive change in the human condition, and the writings of those we now consider the major Romantic poets cannot be understood, historically without an awareness of the extent to which their distinctive concepts, plots, forms, and imagery were shaped first by the promise, then by the tragedy, of the great events in neighboring France. And for the young poets in the early years of 1789–93, the enthusiasm for the Revolution had the impetus and high excitement of a religious awakening, because they interpreted the events in France in accordance with the apocalyptic prophecies in the Hebrew and Christian Scriptures; that is, they viewed these events as fulfilling the promise, guaranteed by an infallible text, that a short period of retributive and cleansing violence would usher in an age of universal peace and blessedness that would be the **********alent of a restored Paradise. Even after what they considered to be the failure of the revolutionary promise, these poets did not surrender their hope for a radical reformation of humankind and its social and political world; instead, they transferred the basis of that hope from violent political revolution to a quiet but drastic revolution in the moral and imaginative nature of the human race.